All the oil paintings of Giorgione

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ID	Image	Painting(From A to Z)	Details
1767		1510 Museo del Prado, Madrid	1509 Art History Museum, Vienna
1771		Adoration of the Magi	National Gallery, London
55998		adoration of the shepherds	mk247 1505 to 10 ,oil on panel,35.75x43 in,91x111 cm,national gallery of art,washingtom,dc,usa
59080		Allendale group	One of the "Allendale group", the small Adoration of the Magi predella, London
39585		Castelfranco Veneto	mk150 c.1476/8-Venice 150
21291		Concerr Champetre (mk08)	c.1510-11 Oil on canvs, 110x138cm Paris,Musee Natioal du Louvre
33473		Concert Champetre	mk86 c.1510/11 Oil on canvas 110x138cm Paris,Musee National du Louvre
59074		Concert Champetre	Concert Champetre (Pastoral Concert). Louvre, Paris. A work which the Louvre now attributes to Titian, c. 1509
68545		Der Mosesknabe vor dem Pharao	c. 1505 Oil on panel 89 ?? 72 cm (35.04 ?? 28.35 in)
29118		Detail of Judith	mk65 Details
34369		Die drei Philosophen	mk92 1500 123.5x144.5cm Wien Kunsthistorisches Museum
22404		Fete champetre(Concerto in the Country) (mk14)	c 1510 Oil on canvas 110 x 138 cm Louvre,Paris
53732		Herd worship	mk234 ca 1505/10 91x111cm
59082		Il Tramonte	Il Tramonte, London. Little known until the middle of the 20th century, and still a controversial attribution
29116		Judith	mk65 Oil on canvas 56 1/2x26"
40978		Judith	mk159 Oil on canvas transferred from panel 144x66.5cm
88609		Judith	c. 1504(1504) Medium Oil on canvas, trasferred from panel Dimensions Height: 144 cm (56.7 in). Width: 68 cm (26.8 in). cjr
6888		Judith (detail) hh	c. 1504 Oil on canvas, trasferred from panel The Hermitage, St. Petersburg
6887		Judith dh	c. 1504 Oil on canvas, trasferred from panel, 144 x 66,5 cm The Hermitage, St. Petersburg
33474		La Tempesta	mk86 c.1510 Oil on canvas 78x72cm Venice,Galleria dell'Accademia
21292		La Tempesta (mk08)	c.1510 Oil on canvas, 78x72cm Venice,Galleria dell'Accademia
1768		Laura	1506 Art History Museum, Vienna
25888		Laura (MK45)	1506 Canvas transferred t o panel 41x33.6cm Vienna,Kunsthistonrisches Museum
59056		Laura Kunsthistorisches Museum, Vienna	Laura (1506) Kunsthistorisches Museum, Vienna
44397		Madonna and Child Enthroned between St Francis and St Liberalis	c. 1505 Oil on wood, 200 x 152 cm
28615		Madonna and Child with SS.ANTHONY AND rOCK	mk61 C.1510 Oil on canvas 92x133cm
43526		Madonna with the Child, St Anthony of Padua and St Roch	1451-1500 Oil on canvas, 92 x 133 cm
89277		Moses Undergoing Trial by Fire	1505(1505) Medium oil on wood cyf
28925		Moses' Trial by Fire	mk65 Penel 35 1/16x 28 1/8in Uffizi,
43528		Old Woman	1451-1500 The description of the shrivelled flesh, the aged eyelids, the toothless mouth, retains nothing at all of the Nordic prototypes and uses colour alone to create an objectively naturalistic image with consummate skill.
6889		Old Woman dhjd	c. 1508 Oil on canvas, 68 x 59 cm Gallerie dell'Accademia, Venice
53731		Ovadret	mk234 1505-10 83x73cm
82289		Pastoral Concert	Date ca. 1510(1510) Medium Oil on canvas Dimensions 110 x 138 cm (43.3 x 54.3 in) cjr
6886		Pastoral Concert (Fete champetre)	1508-09 Oil on canvas, 110 x 138 cm Mus??e du Louvre, Paris
56828		Pastoral ensemble	mk250 About the year 1508. Oil on canvas, about 109.2 x 137.2 cm. The Louvre in Paris.
58138		Pope fleet department life Jacob wears Salol portrait	mk261 Venice 1500-1501 years, Florence, Ukrainian Fiji art museum
94710		portrait	1510 Type oil on paper, transferred to canvas Dimensions 31 cm x 28 cm (12 in x 11 in) cyf
29887		Portrait of a Man in Armor with His Page	mk67 Canvas 35 7/16x 28 3/4in Uffizi,Gallery
59088		Portrait of a Venetian Gentleman	Portrait of a Venetian Gentleman - Giorgione and Tizian 1510 - National Gallery of Art
6897		Portrait of a Young Man dh	Wood, 69,4 x 53,5 cm Alte Pinakothek, Munich
39587		Portrait of a young woman	mk150 1506 Canvas on panel 41x33.6cm
86880		Portrait of a Young Woman	Date 1506(1506) Medium Oil on canvas mounted on panel Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in). cjr
6890		Portrait of a Youth (Antonio Broccardo) dsdg	1508-10 Oil on canvas, 72,5 x 54 cm Museum of Fine Arts, Budapest
6896		Portrait of Warrior with his Equerry sg	c. 1509 Oil on canvas, 90 x 73 cm Galleria degli Uffizi, Florence
94700		Portrat einer alten Frau	circa 1500-1510 Medium color on canvas Dimensions 68 x 59 cm cyf
1779		Scenes from the Life of the Virgin s	1304-13 Arena Chapel, Padua
26728		Self-Portrait	mk52 c.1500 Oil on canvas 52x43cm Herzog Anton-Ulrich Museum,Braunschweig
92418		Self-portrait	Date c. between 1500(1500) and 1510(1510) Medium color on canvas Dimensions 52 X 43 cm ttd
6891		Self-Portrait dhd	Paper on wood, 31,5 x 21,5 cm Museum of Fine Arts, Budapest
94706		Shepherd with a Flute	1508 Type oil on canvas Dimensions 61.2 cm x 46.5 cm (24.1 in x 18.3 in) cyf
44901		Sleeping Venus	mk176 c.1510 Oil on canvs 108.5x175.2cm
59060		Sleeping Venus	Sleeping Venus (c. 1510) Gemäldegalerie Alte Meister, Dresden
6895		Sleeping Venus dhh	c. 1510 Oil on canvas, 108,5 x 175 cm (detail) Gemäldegalerie, Dresden
56829		Storm	mk250 About the year 1510. Oil on canvas, 78.7 x 73 cm. Venice Fine Arts Academy.
43529		Tempest	1451-1500 The vigour of cultural life at the beginning of the sixteenth century provided exactly the right fertile ground for the personality of Giorgione.
43029		The Adoration of the Kings	mk170 1503-1504 Oil on wood 32x84.3cm
88063		The Adoration of the Kings	Oil on wood Dimensions Height: 29.8 cm (11.7 in). Width: 81.3 cm (32 in). cjr
1770		The Adoration of the Shepherds	1505 National Gallery of Art, Washington DC
50863		The Adulteress brought Before Christ	mk216 Giorgione died in 1510 at the early age of 33 and there are perhaps no more than a dozen pictures in the world which can be assigned to him without question.
52725		The Adulteress brought before christ Giorgione	mk223 died in 1510 at the early age of 33 and there are perhaps no more than a dozen picutures in the world which can be assigned to him without quetion
59076		The Allendale Nativity Adoration of the Shepherds	The Allendale Nativity/Adoration of the Shepherds c. 1505 - National Gallery of Art. The "Allendale Group" takes its name from this painting.
59085		The Berlin Portrait of a Man	The Berlin Portrait of a Man, one of the most frequently attributed portraits
59087		The Budapest Portrait of a Young Man	The Budapest Portrait of a Young Man, very beautiful, but damaged.
59078		The Castelfranco Madonna, before recent cleaning	The Castelfranco Madonna, before recent cleaning. Giorgione's only altarpiece
6892		The Impassioned Singer dg	c. 1510 Oil on canvas, 102 x 78 cm Galleria Borghese, Rome
28926		THe Judgment of Solomon	mk65 panel 35 1/16x28 3/8in Uffizi.
89278		The Judgment of Solomon	1505(1505) Medium oil on wood cyf
59081		The Old Woman	La Vecchia, "The Old Woman", Accademia. "Col tempo",or "With age" reads the paper.
40298		The Pastoral Concert	mk156 c.1508 Oil on canvas 109x137cm
59086		The San Diego Portrait of a Man	The San Diego Portrait of a Man, another of the more frequently attributed portraits
29886		The Singing Lesson	mk67 Panel 24 7/16x30 5/16in Pitti,Palatine Gallery
39403		The storm	mk148 Both columns remainder verwei sen in accordance with esoteric symbolism on the destroyed temple of the Salomo, what on a deeper mystical meaning refers directly clearly becomes as out of the simplicity of the scene
6894		The Sunset (Il Tramonto) sh	1506-10 Oil on canvas, 73 x 91 cm National Gallery, London
1769		The Tempest	1505 Gallerie dell'Accademia, Venice
30457		The Tempest	mk68 Oil on canvas 32 1/2x28 3/4" Venice Accademia Gallery c.1507 Italy
40297		The Tempest	mk156 c.1507 Oil on canvas 82x73cm
41168		THe Tempest	mk157 c.1510 Oil on canvas 68x59cm
55997		the tempest	mk247 1505 to 10 ,oil on canvas,32x28 in,90x73 cm,gallerie dell accademia,venice,ltaly
59071		The Tempest	The Tempest (c. 1508) Gallerie dell'Accademia, Venice, Italy
23302		The Tempest (nn03)	c 1508 Oil on canvas 79.5 x 73 cm 31 1/4 x 28 3/4 in Galleria dell'Accademia Venice
94673		The Three Ages of Man	c. 1500-1501 Type oil on canvas Dimensions 62 cm x 77.5 cm (24 in x 30.5 in) cyf
39586		The Three philosophers	mk150 c.1508/9 Canvas 123.8x144.5cm
40300		The Three Philosophers	mk156 1508-09 Oil on canvas 123.5x144.5cm
53733		The three philosophers	mk234 about 1509 121x141cm
59072		The Three Philosophers	The Three Philosophers, Vienna. Attributed to Giorgione by Michiel, who said Sebastiano del Piombo finished it. Some modern writers also involve Titian in its completion.
6893		The Three Philosophers dh	1509 Oil on canvas Kunsthistorisches Museum, Vienna
1766		The Virgin and Child with St.Anthony of Padua and Saint Roch	1510 Museo del Prado, Madrid
42660		Three ways	MK169 ca. 1509 Cloth 121x141cm
33472		Virgin and CHild with SS Francis and Liberalis	mk86 c.1504/05 Oil on wood 200x152cm Castelfranco Veneto
21289		Virgin and Child with SS Francis and Liberalis (mk08)	c.1504/05 Oil on wood, 200x152cm Caselfranco Venero,San Liberale
1772		Warrior with Shield Bearer	Galleria degli Uffizi, Florence
59077		Young Man with Arrow	Young Man with Arrow' (1506) Kunsthistorisches Museum, Vienna

Giorgione
Italian 1476-1510 Giorgione Galleries For his home town of Castelfranco, Giorgione painted the Castelfranco Madonna, an altarpiece in sacra conversazione form ?? Madonna enthroned, with saints on either side forming an equilateral triangle. This gave the landscape background an importance which marks an innovation in Venetian art, and was quickly followed by his master Giovanni Bellini and others.Giorgione began to use the very refined chiaroscuro called sfumato ?? the delicate use of shades of color to depict light and perspective ?? around the same time as Leonardo. Whether Vasari is correct in saying he learnt it from Leonardo's works is unclear ?? he is always keen to ascribe all advances to Florentine sources. Leonardo's delicate color modulations result from the tiny disconnected spots of paint that he probably derived from manuscript illumination techniques and first brought into oil painting. These gave Giorgione's works the magical glow of light for which they are celebrated. Most entirely central and typical of all Giorgione's extant works is the Sleeping Venus now in Dresden, first recognized by Morelli, and now universally accepted, as being the same as the picture seen by Michiel and later by Ridolfi (his 17th century biographer) in the Casa Marcello at Venice. An exquisitely pure and severe rhythm of line and contour chastens the sensuous richness of the presentment: the sweep of white drapery on which the goddess lies, and of glowing landscape that fills the space behind her, most harmoniously frame her divinity. The use of an external landscape to frame a nude is innovative; but in addition, to add to her mystery, she is shrouded in sleep, spirited away from accessibility to her conscious expression. It is recorded by Michiel that Giorgione left this piece unfinished and that the landscape, with a Cupid which subsequent restoration has removed, were completed after his death by Titian. The picture is the prototype of Titian's own Venus of Urbino and of many more by other painters of the school; but none of them attained the fame of the first exemplar. The same concept of idealized beauty is evoked in a virginally pensive Judith from the Hermitage Museum, a large painting which exhibits Giorgione's special qualities of color richness and landscape romance, while demonstrating that life and death are each other's companions rather than foes. Apart from the altarpiece and the frescoes, all Giorgione's surviving works are small paintings designed for the wealthy Venetian collector to keep in his home; most are under two foot (60 cm) in either dimension. This market had been emerging over the last half of the fifteenth century in Italy, and was much better established in the Netherlands, but Giorgione was the first major Italian painter to concentrate his work on it to such an extent ?? indeed soon after his death the size of such paintings began to increase with the prosperity and palaces of the patrons.